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Moog CABLE -S-trig to V-trig

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Some pics for making a S-trig to V-trig cable.
Useful is you don't have a 961 conversion module
 + 961 INTERFACE 


tHIS  first cable uses two 1/4 inch jacks.
To convert V-trigs from a 960 sequencer to S-Trigs.

 Just 3 components:
10K resistor
1N4148 diode
2N3904 transistor


 Bluetack is a easy way to hold the components together while soldering.

Prevent shorts. Insulate !



mOOG 907 Fixed Filter Bank.

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Fixed Filter banks have been around from the earliest days.
But they are often misunderstood.
They look like simple graphic equalizers. This is not the case.
In the case of a EQ, each band has a boost & cutoff. If all the sliders were in the centre position
the input will be the same as the output.
In the case of the 907, the output is definitely not the same as the input. The frequency changes as it passes through each stage.
The knobs for each stage are attenuators. They do not have gain.


The 907 is a beautiful module to behold. It seems so simple, yet it's classic design is an example of why Moog modulars are still revered around the world.
We have just 2 jacks --- input & output.
In between there are 10 filters. 8 bandpass & a low & high pass at either end (shelf filters).
(The later Moog 914 provided 12 instead of 8 filters).

The 907 has 8 bandpass fixed-frequency filters spaced at approximately half-octave intervals:
They have centre frequencies of 250Hz, 350Hz, 500Hz, 700Hz, 1Khz, 1.4KHz, 2KHz, and 2.8KHz.
Each of the BPFs has a single knob for boosting or cutting frequencies within it's range.

There is no voltage control.

The special sound of the 907 is I think due to the the sharp sonic notches produced between the adjacent filter bands. Some people say it's because of the inductors used in their manufacture.

+ Inductors, ferric beads, noise reduction methods, etc
Inductors are basically coils of wire.
Each band uses a LC-filter ... which is a capacitor/inductor combo.
The filter has a total of 10 overlapping LC networks.
The claim is that they introduce nonlinear irregularities.
I don't know -)

"The fixed filter bank is often referred to as a Formant Filter

907 filter Specs:
Signal Input impedance: 10k ohm
Signal Output impedance: 680 ohm
Signal Gain: unity
Output Noise:  -65 dB
Output Polarity : No Shift
LP attenuation at Fc : 24dB
HP attenuation at Fc : 24db
Attenuation of Passbands : 24dB/octave

Pin assignments:

1. +12V (+/-10% at 20mA)
2. Gnd
3. -6V at 10mA
8. Signal input
9. Signal Ground
21. Signal output
22. Signal ground

"The Fixed Filter Bank is often referred to as formant filter because it can be set
 to emphasize or attenuate midrange frequencies, which fall within a particular band,
 no matter how the frequencies of the signal are moved.
Like many acoustic instruments, a characteristic set of formants, are always a part of the
resultant output (given a particular complex waveform). Emphasized bands of this sort are
particularly evident with double reed instruments.
Thus, this filter is part of the patch for these simulations.
In addition, completely different timbres can be set up for different ranges of the same tone,
if the output of the filter is recombined with unfiltered frequencies at different levels. "
                                                                                                                 (Moog Manual)



--------------------------------------------------------------------------

There are quite a few fixed filter banks in the modular world.
Eurorack: The Doepfer A128, Analogue Systems RS215, Behringer 914, AJH Fixed Filter Bank 914,
Aion 907A FFB.


Serge: Serge Kitchen 1 panel, Serge EQ Shifter, Serge M-Class Audio Interface. Serge Resonant EQ.

Buchla : 296 - spectral processor, 296e & 295 .

Don described the 296 thus:
"It has 16 channels of filtering, but they cover the same frequency range of a 24 channel 3rd octave filter because they are constant BARK FILTERS  and the channels are wider


Moog also introduced a series of filterbanks into one of their pedals:
The MuRF. : Multiple Resonance Filter Array
The MF 105 came out around 2004. It's a classic pedal.

It contains 8 resonant BPFs, with their own level sliders, a sine LFO, and a sequencing envelope generator. You can control the tempo with a pedal or knob. Its really cool to sequence the different filter settings.
There are 24 preset patterns
Rhythmic variations can be created by adjusting the levels of the filters.


mAKEnOISE - 0 cONTROL - bASIC pATCHES

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Some very basic beginner patches ... just got the 0-control

Basic pATCH          1


to trigger the 0-coast you have to plug a gate/ envelope into either the gate or dynamic inputs of the 0-coast.
The picture above has a gate from the o-control  keyboard triggering the gate of the 0-coast
Use the gates/envelopes coming from the "keyboard" or "strength" of the 0-control.


.....




pATCH 2



Below is a gate from the keyboard triggering the dynamics input




Last video:
Showing the different types of effects from the 4 types of Gate/envelopes

1. Pressure CV Output.
    Outputs CV according to amount of pressure applied to Step Touchplate(s). 0-5V.
2.Touch Gate Output.
   Outputs Gate signal when one or more Step Touchplate is being touched. 0V or 8V.
3.Dynamic Gate Output.
   Outputs Dynamic Gate Signal based on Strength and Time of current Step. 0-8V.
4.Dynamic Envelope Output. Outputs Dynamic Envelope based on Strength
   and Time of current Step. 0-8V.





Metro Modular Eurorack Power system 101 - MM1527A

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Metro Modular Eurorack Power system 101
Some pics of my build.
The model number: MM1527A
This is a combined Eurorack PSU with bus board.


It will supply +12V (1A), -12V (600mA) & +5V (1A)




You will need 3 of these 12V DC/DC converters
490-VXO7812-1000






The PSU is designed to use a DC brick 17V to 20V DC
These are commonly used in laptop PSUs



Inductors



This is the 5V DC/DC converter.
Just one is needed
Mouser : 490-VXO7805-1000







For more information see their sites:

+ Metromodular Facebook
+ Metromodular Youtube
+ Metromodular website  
+ mODULAR Grid

Top 40 synth blogs

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Thanks to Feedspot for their rankings.
FEEDSPOT has selected the top 40 blogs / websites from thousands of synthesizer blogs in 2020.
This site has reached #21


hAPPY 606 Day

Make Noise 0-Coast - Basic Notes

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Since my recent purchase of a 0-Control, I've been falling back in love with the 0-Coast and all things Make-Noise. These are some basic revision 0-Coast notes

The O-Coast can be divided into 7 parts or modules.
If you look at the synth this way, and study the internal wiring it's not as intimidating as it first looks.
The basic modules are:
1. Midi to CV
2. Utilities
3. VCO
4. Sound Processor (waveshaper)
5. Envelope 1 (Slope).. AD
6. Envelope 2 (Contour)... ASD
7. VCA - Mixer / LPG
It's a excellent example of the bare minimum of modules needed to make a "complete instrument".
Personally, I feel it's more West Coast than East. The lack of a dedicated filter
(apart from the LPG) and the extensive use of wave-shaping remind me of a Buchla Easel.


Though the 0-Coast has just one oscillator, the 1st EG (Slope) can be cycled at audio rates, and can be thus used like a Modulation Oscillator.
The recent addition by Makenoise of the 0-Control makes it even more Buchlaish.

 1. Midi to CV
    Plug your midi sequencer/ DAW here
    It will convert Midi / CC data into control voltages & gates
    It also has an arpeggiator & LFO

2. Utilities
     The upper half has a Clock, Clock divider, S&H & Random voltages (Source of Uncertainity)
     The lower half is the CV processor section comprising things like a
     Mixer, Attenuverter, Inverter & Mults

3. VCO
    Basic oscillator with triangle & square waves.
    Both waveforms are internally pre-routed to the waveshaper/sound processor, but the triangle
    is also routed to the Mixer/LPG (you can break this connection with a jack).
    This module also has linear FM control & a 1V/Oct socket.
    The 1V/Oct socket is where you'd most commonly plug the pitch out from
    your Keyboard/sequencer.
    
4. Sound Processor
    This adds harmonics to make the sounds from the oscillator more complex.
    It can be though of as a timbre module that processors sound in two stages
    a. Overtone Stage
        This mixes 3 waveforms - the two oscillator waves & the slope EG.
        It adds sound that is higher in frequency, yet still harmonically-related to
        the Fundamental.
       !! is where the slope is blended into the audio signal path.
    b. Multiply Stage
        This takes the output of the Overtone Stage & multiplies it, .... this creates additional
       overtones & adds harmonics. This is the opposite of what happens in a LPF.
  
5. Envelope 1... AD "slope". 
     It has Attack / Decay stages and can me made to self cycle.
     This EG is routed by default to change the harmonics of the VCO
     It's internally connected to both the overtone & multiplier sections.
     The EG1 output can also be patched to other modules such as the Linear input of the VCO.
     (it would thus act like the Buchla Mod Osc).

6. Envelope 2 --- ASD "contour"
     This EG is routed by default to change the VCA
     It acts like an ADSR even though it only has a Decay pot -- this seems to represent both
     Decay & Release.
     The Gate input is where you'd most commonly plug the gate out of your keyboard/ sequencer.

7. VCA - Mixer / LPG
   This mixes the outputs of the triangle wave Oscillator with the Sound Processor
   (Overtone & Multply)
   The LPG is a combination of a VCA + low pass filter. (Very Buchla)

Modular Clocks - Analog, MIDI , PPQN

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Modular Clocks ... seems simple at first, but the more you delve into this subject and try to sync
devices from different manufacturers, the more complex things can get.
If you have ever heard the Daft Punk tune "Moroder by Giorgio" you can hear Giorgio talk
about how he synced a Moog Modular.



"I know the synthesizer, why don't I use the synthesizer
Which is the sound of the future"
And I didn't have any idea what to do but I knew I needed a click
So we put a click on the 24-track which was then synced to the Moog modular
I knew that it could be a sound of the future
But I didn't realize how much impact would be..."

Basic Tempo is made up of beats.
Beats are grouped into bigger units called measures.
Most often, a measure has 2 to 4 beats (though it can really have as many divisions as is desired).
A note which lasts for 1 beat is called a quarter note..... since it divides the average measure into quarters......
For electronic instruments.... this beat is actually a pulse of electricity..... often a 5V to 10V
amplitude pulse which had a regular cycle. This cycle was the sync signal and was used to represent
the time base of the device. This basic method of syncing sequencers and drum machines all predated MIDI.

With the advent on MIDI, instead of being measured by cycles per second, the time base
was changed to Parts Per Quarter Note (PPQN), also known as pulses per quarter (PPQ), or Pulse (per) quarter note (PQN), and ticks per quarter note (TPQN)
If the timebase divides the instrument into 48 parts, that is called 48 PPQN.

MIDI sequencing hardware and software uses a variable number of timing resolutions. From as little as 24PPQN too 480 PPQN

A sequencers resolution is defined as its ability to divide the beat of a quarter note into
a pulses. The more pulses, the more accurate a sequencer is.

Common divisions used by sequencers are :
24 parts - 24 ppqn
48 pulses - 48 ppqn
96 parts - 96 ppq
192 ppqn, etc etc etc

 
A module like Pamelas workout will sync to an external clock input between 1PPQN to 24PPQN.
My Beastek Amoeba trigger module needs a 8 TPQN clock if you require external syncronization.
Note that most analog sequencers send out a pulse every 16th note which equals 4PPQN

MIDI clock = 24 pulses, so called "ticks" per quarter note
Roland equipment (606,707.727,808.909) use 24 pulses per quarter note (PPQN for short), known as DIN Sync24.
A notable Roland exception is the CR-78 which uses 12ppqn.

Korg equipment (eg KPR-77, DDM-110 & DDM-220) uses 48 pulses per quarter note.

You also need to make a V-trig to S-trig cable.
Oberheim (DMX) & Linn is 96ppqn.
The SCI Drumtraks handles 24, 48, and 96 ppqn
EMU drumulator - 24ppqn - needs a din to 1/4 Y cable


-----------------
Summary:
********************************************************************************
Clock rates                  Equivalent in PPQN              Manufacturer
STEP GATE                     -                                      LFO or GATE OUT
 Pre - MIDI                                                              (advances in time on a rising edge and
                                                                                 returns to zero on  a falling edge) 
                                                                                 eg: DOEPFER DARK TIME, Korg SQ-10.
                                                                                 eg: Euro - Zularic Repetitor
                                                                                       (Noise Engineering),
                                                                                       Pico trigger , Delptronics Triggerman
***************************************************************************
KORG Pulse                2 PPQN                             KORG (SQ-1), Volcas,
                                                                                  Teenage Engineering Pocket Operators
                                                                                  (POs sync on audio pulses,
                                                                                   essentially a click track).
********************************************************************************
STEP CLOCK               4 PPQN                             ARTURIA , DOEPFER MCV 24 – MSY2
or 1/16th                                                                 Korg SQ-1 analog sync , most analog sequencers.
*********************************************************************************
Euro                              8 or 16 PPQN                    Beastek Amoeba
drum trigger module
********************************************************************************
CR 78  Drum               12PPQN                            Roland
********************************************************************************
MIDI & Sync 24
Roland DIN SYNC      24 PPQN                           ROLAND, ARTURIA, ELEKTRON
                                                                                  Korg SQ-1 MIDI sync, DAW
***********************************************************************************
KORG DIN                   48 PPQN                         LINN LM-2, ARTURIA, ELEKTRON
Sync 48
********************************************************************************
---------------------------

Step Gate
Starting off with the basic analog clock. ....
This is all pre-MIDI. The signal can be a simple LFO or a gate module producing a square wave. The Doepfer Dark Time  for example can produce a 1 Step gate. A basic analog, pre midi modular will use this form of timing.
This doesn't really have a PPQ equivalent.

Korg Pulse - 2PPQN
Korg SQ-1 sequencers and the Korg Volcas use this standard.
A single KORG pulse is equivalent to just 2 PPQN.

Step Clock (16th clock) - 4PPQN. 
This is an analog trigger. It's equivalent PPQN is 4.( ie four pulses per quarter note.)
It's also called 16th because a note is sent or received every 16th note.
This is quite common to find as a default for Eurorack modules.
This is the most common clock among analog sequencers.
Devices like the DOEPFER MCV 24 & MSY2 can produce this type of clock.
Also, Eloquencer (Winter Modular)
(So too does the Tip top trigger riot though it can also be set to use 24PPPQ)

MIDI - Sync 24 - Roland DIN Sync - 24PPQN
In the case of MIDI (and Roland DIN Sync), the standard is 24PPQN.
MIDI clock sends a tick 96 times per quarter note.
Lots of old Roland Synths such as the TB303 & TR606, 808, 909 use this standard.
Most DAWs will also use  a 24 PPQN signal
This means that you can have a  triplet for each 8th note. (24/3 = 8)

Korg DIN SYNC - Sync 48 - 48PPQN
Korg has it's own version of DIN Sync.
It uses the same 5 pin cable/socket, but the PPQN is 48.
When syncing Roland and Korg gear via DIN sync, they will work however the Korg machine will run at 1/2 the tempo/speed of the Roland unit.
This can be corrected with several devices which will translate 24-48 sync, such as the Korg KMS-30.
 Korg drums such as the KPR-77, DDM-110 & DDM-220 use 48 sync.
Other devices that use 48 PPQN are the
LINN ELECTRONICS LM-2 Drum

The Pioneer Toraz can output clock signals of value 1PPQN, 2PPQN, 4PPQN, 24PPQN, 48PPQN.
Synstrom Deluge : Trigger clock output, configurable up to 192 PPQN

Links:
Syncing the korg SQ1 with SQ-10


Do let me know if there are any mistakes, errors, or omissions.


Japanese Food Vending Machines

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You find these all over Japan.








If you can't speak the local dialect, these are a lifesaver

Small Euro drum - version 1

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I decided the other day to put together a small eurorack drum.
It needed to be simle - just eight voices.
I may add midi, but for the moment, analog triggers will be fine.


Most of these modules are DIY.

 i had an old case lying around.
I love re-using old things.

These beastek modules are esp interesting.
Both built from kits.
The trigger sequencer, has a very unusual method of creating beats. ,,, cellular automata.
... the game of life.


View this post on Instagram

A post shared by jono (@dj_jondent) on

This Olegtron module is cool too... a very hands on way of mixing triggers.


As much as Ilike the Amoeba sequencer, I've decided to go with a delphtronics trigger man.
A smaller footprint. and Just 2 knobs.
I think this is a great module for making evolving patterns

The algorithmic mode is cool.
Pressing Knob 2 selects which of the eight outputs to edit.
Turning knob 1 will add active beats.
You start with no beats, and just a turn will add beats, creating more and more complexity the more you turn the knob.


 Turning Knob 2 will shift the pattern left or right.




Moog 911 - Envelope Generator

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Moog 911 Envelope Generators need S-triggers to start their cycle.
Moog's designers wanted people to be able to plug in a simple foot switch to trigger sounds, 
The original design of this module is from around 1968. 

The Moog 953, 952 or 962 Keyboard will produce S-triggers.
"So will Moog Ribbon Controllers, Percussion controllers , Sequential Controller Complements and Envelope Followers" (Moog Manual)
In comparison,  V-triggers start at zero volts and rise to a standard level .. usually 3V.


Specs
Trigger Input : Switch Trigger
Output Impedance 10K ohms
Time range on T1, T2, T3: 2 milliseconds to 10 secs.
Peak DC output on Esus : 5.5V (+/-10%)

The 911 plugs into the Moog modular using a 22 pin PCB/edge card connector.
It's a ADSR envelope generator.
The pin out is as follows:
1. +12V at30mA
2. GND
3. -6V at 15mA
14. Trigger out
15. Shield
21. S-trigger in ........to Trigger switch (Jones S-302)
22. Shield

The Moog manual suggests a regulated AC supply, such as a Moog Model 901 or dry batteries.
Max current is 50 milliamperes.
Range of T1: 10 ms to 10 secs (attack)
Range of T2: 10 ms to 10 secs (delay)
Range of T3: 10 ms to 10 secs (Release)
Range of  Esus:  0 to Emax
Esus = sustain.
Emax = voltage at which T2 begins. = 5.5V +/- 10%



You trigger the 911 by closing a switch. So unlike most EG's you will encounter today, no voltage is supplied to trigger the module ... its quite the opposite.

You need a 916 interface to convert CVs to S-triggers

" the 911 Envelope Generator produces a single voltage contour whose time/voltage variation
 is determined by potentiometers T1, T2, T3, and a time constant sustaining level potentiometer (Esus).
Closure of the input trigger switch directs the voltage contour to T3 (final decay) regardless of
what stage (T1, T2 or E) was in current operation."
                                                                                                              (Moog Manual)


"The 911 Envelope Generator completes one of the most important musical functions:
That of producing a variable one-shot control voltage contour in time.
This output is thus capable of controlling any voltage controlled module – most notably
a Voltage Controlled Amplifier – resulting in the articulation of a single sound."

                                                                                                                 (Moog Manual)

A common module to pair with the 911 is the 911A - The Dual Trigger Delay.
This can create multiple or combined DC voltage contour outputs.


Saigon War Remnants Museum -Vietnam

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This was first opened just after the end of the Vietnam War in 1975.
It was originally called the ‘Museum of American War Crimes’.


Quite a confronting place.

The effect of war on both the combatants and civilians is brutally displayed.
I left with a feeling of intense sadness.



For war memorabilia enthuasists there is lots to see ... helicopters, tanks, fighter aircraft.. etc









But the photos upstairs in the building tell another story... the human cost








For more travel postcards click here:
 

Studio Electronics SE -02 / Roland - Transposing sequences with the keyboard

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The manual is a little confusing.

When I first attached a keyboard to the SE-02, it appeared thAT i couldn't transpose
any stored sequences.



To do this you need to enter SETUP.

While in sequencer mode
1. Press NOTE & GATE simultaneously
2. Press the 3rd STEP button
3. Rotate the VALUE knob till the display shows trn (The default is OFF)
   trn = transpose
4. Press the VALUE button (3 times)
    You will be prompted with the message "sure",...



Pressing this "value" knob is also how I save patterns.
The presets occupy memories 0-87.
88 is clear for your first patch.


The problem with this method is that the sequence will only sound while you are pressing a key.

-----------------------------------------------------------------
A second method for transposing the sequence is
1. start playing your sequence while in SEQ mode.
2. Switch to PATCH mode while the sequence is still running.
3. press the TRANSPOSE button
4. Press OCT- or OCT+ to transpose up and down an octave


Roland / Studio Electronics SE - 02 envelope

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I'm revisiting my SE -02 synth .
The Studio Electronics / Roland Boutique synth has a rather unusual envelope, which is kinda borrowed from the Moog Mini D.
It's not a clone of the Moog, though I thought it would be useful to compare the two.

The most common type of envelope is the ADSR.

It has 4 stages. The stages are:
Attack : is the time taken from nil to peak, beginning when the key is pressed.
Decay : is the time taken from peak to the sustain level.
Sustain : is the level during the main sequence of the sound's duration
Release : is the time taken from the sustain level to zero after the key is released

The Mini Moog D was unusual in that there were just 3 knobs to control a 4 stage envelope.
Most synths have 4 knobs.
Attack, Decay & Release are all time based.
Sustain is a voltage level. It is usually "flat" and does not change during it's phase.

Usually the envelope starts with a signal from a keyboard or other source. It goes through the attack & release stages. When it reaches the sustain phase, it pauses and remains there until the gate goes low (e.g., from the keyboard key being released).



There were two identical envelopes ...  one for the filter, and one for the amplifier

The decay knob doubles as the release knob.
So the envelope can be seen as a ADSD envelope.

It's interesting though not surprising that Studio Electronics decided to use a similar envelope configuration.
My SE-MidiMoog (which is a rack mounted Model D) started this all off.



The SE-01 & SE-1X saw the return of that release knob, but the SE02 saw it's demise once again.
 SE-01

Maybe the decision to drop this pot, was based on practical considerations like the lack of space on the Roland Boutique synths.

SE-02

So looking at the front panel of the SE 02 one can see we have 2 envelopes:
A Filter and a Amp envelope.
Neither envelope has a release knob. They both however share a release switch
which is in the the lower right corner.
It's settings are: 2, 1&2, OFF
2 = The release stage is applied to the Amp
1&2 = The release stage is applied to both the filter & AMP
OFF = No release stage

Remember that the decay value = release value.

----------------
About the other knobs & switches in the Filter/Envelope section:

Key Track
1/3  = The filter frequency changes by 1/3 of the pitch change.
2/3  = The filter cutoff frequency changes by 2/3 of the pitch change.
          If both switches are on, the filter cutoff frequency changes by the same amount as
          the change in keyboard pitch.

Contour
Adjusts the amount the filter envelope effects the filter frequency.

Normal / Invert switch
Specifies the polarity of the filter envelope that is controlled by the [CONTOUR] knob. If this is set to “INVERT,” the polarity is inverted.

Mtrig switch
If this is on, the filter envelope restarts each time you press a key.

LFO/GATE
Specifies the signal that controls the amp envelope.
LFO: The LFO controls the amp envelope.
GATE: The Note or Gate controls the amp envelope


Links

Article 5


Fairlight IIx - instructions for using the HxC SD reader

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The  HxC SD card reader is an excellent addition to your old Fairlight.
The HxC is a Floppy drive emulator.
The Floppy disk drives are 40 years old and hard to maintain, repair & replace.

I highly recommend you email Jean-Bernard of MUSTUDIO for one.

I purchased the kit from mustudio.fr
Many thanks also to Peter W for his help in it's installation.
The Flash player uses a SD card to emulate 2 virtual drives. (A & B).
Compatable cards are SDHC up to 32MB.
Formated in FAT 32.... use a PC (not a MAC) to format the card.

I found navigation of the file structure in the SD card a bit confusing at first.
This is how it seems to be set up:

You only need to use the "Systems" and the "sounds" sections.

The 2 toggle switches must be in the correct position.

I like to configure the system to use two virtual drives.
That is, I'll bypass the use of the Floppy Drives completely.
Left switch : up
Right switch : Down


1. Turn on the Fairlight.
    The monitor will as is usual display "Load System disk in drive"
  

2. "Systems" should be shown on the display.
  
      If not, use the left/right buttons to rectify till you find "systems".
      (pressing the left/right buttons will move you between Systems, Sounds & QDOS)



3. Hit enter when you see "Systems" (the centre red button)
4. Using right button, step through till the desired software is shown.
    (Revision 20). Hit enter.

    The Fairlight will now load the operating system
    It bleeps as it steps through sectors. The monitor should eventually show Page 1

5. Hold down "Enter" (middle red button) for a few seconds.
    The LCD will change... You are entering the "Function Menu" Mode.

6. Toggle through options till "change drive" appears.
     Hit "Enter"


7. Toggle until "B" appears.


    Hit Enter


8.  The LCD display will show the software revision.


     Toggle left until only dots appear.


9. Systems should reappear.   

10.  Toggle left till "sounds" shows.
       Hit enter


8. Step through till the desired library is found. (I normally use 1.3)
    Hit enter


9. On the Fairlight itself, go to page 2.
    You should see displayed the contents of the virtual disk.


10. Toggling left & right should show the contents of each virtual disk.

This is library (or virtual disk) 15



Test by loading a file.
EG:
Type L,A,filename<return> to load a file.

eg to load a file named GONG1.VC
type L,A,GONG1 <return>
You don't need to add the .VC after the file name. 

Synthesizer Logic Modules - The 7 gates

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Logic gates are great ways to create interesting rhythms or combine triggers from various sequencers.
Recently I've been using them to trigger drum modules.
Some logic gates also work at audio ranges.
There are 7 basic gates: OR, XOR, AND, NOT (inverter), NOR, XNOR, & NAND.

To make things even simplier, the 3 basic fundamental gates are OR, XOR, AND.
They use the inverter (NOT) to make NOR, XNOR, & NAND.

OR gates
Output a high signal whenever one or more of its inputs are high.
Useful if you wish to combine several gate signals into one.
You can use this instead of a mixer or multiple.




 In1 In2 Out
 0         0 0
 1 0 1
 0 1 1
 1 1 1


XOR Gate (Exclusive OR gate)
Will only output a high signal when one input is high and the other is low.
It allows the signals to pass Except when they happen simultaneously.
It's like when 2 people try to squeeze through a narrow door at the same time.
(use this for your two snare drums - to prevent them triggering simultaneously)




 In1 In2 Out
 0         0 0
01 1
 1 0 1
 1 1 0

AND gate
Outs a high signal when all its inputs are high.
(If only one input is high it will output a low signal)




 In1 In2 Out
 0         0 0
 1 0 0
 0 1 0
 1 1 1


NOT gate
The above 3 gates are available as inverted versions (N = not):




 In Out
 1 0
 0 1


OR -----> NOR
XOR -----> XNOR
AND-------> NAND

NOR Gate
This is a OR gate followed by and inverter.
This is quite a useful gate to have, as it's possible to build the other basic logic gates
using only NOR gates.




 In1 In2 Out
 0         01
 0 1 0
 1 0 0
 1 1 0

Its output is "true" if both inputs are "false." Otherwise, the output is "false."

XNOR
This is a XOR gate followed by an inverter




 In1 In2 Out
 0         01
 0 1 0
 1 0 0
 1 1 1


NAND Gate
This is a AND gate followed by an inverter




 In1 In2 Out
 0         0 1
 0 1 1
 1 0 1
 1 1 0

-----------------------------------------------------------------------

For most Eurorack modules:
Low signal = 0V to 1V (usually)
High signal = greater than 1V to 5V (Usually)

Many logic modules respond to continuous CVs like LFOs .
They are reading the CV as a high gate when it exceeds 1V (usually) and a low gate when it is below.
So they can be used as comparators with a fixed threshold.

The logic synth modules you can buy or build will either use discrete diodes, transistors & resistors,
or use integrated circuit chips. TTL and CMOS are the most common types of ICs.
TTL IC’s may often be labeled as the 7400 series.
CMOS ICs are commonly marked as 4000 series.


Eurorack Logic Modules
+ Elby ED132 - Boolean Logic (Also a Serge Version)
+ Erica Synths - Pico Logic
+ Mystic Circuits ANA
+ Intellijel OR, Plog, Spock , uMod II
+ AniModule  LogicOgic, XX_OR
+ 2HP - Logic
+ Mutable Instruments - Kinks (OR & AND gate)
+ Doepfer A-166 (Dual Logic Module) .... AND, OR & NOR, plus two inverters.
+ NLC - Bools, Neuron, Chopper, 8 bit cypher,
+ CGS Funky Drummer
+ CGS Boolean Logic
+ EMW Logic 101, Logic 202
+ Snazzy FX Ardcore
+ Synthrotek - Either-OR Eurorack OR Module
+ Pittsburgh Modular - Logic Banks
+ Analog Ordnance - Logiplex, OR gate,
+ Ladik B-010 Bool2, B-020 Bool3,
+ Circuit Abbey - ANDY, ORY, XORY, VERTY
+ Synth Cube Dual Logic
+ LZX - Castle 100, Castle 101
+ Pulp Logic (1U tiles) -Logical AND, OR, Diode-OR, XOR


Plog - Intelligel
This has AND, OR, NOR, XOR, NAND, and XNOR gates
RYO
NOT, XNOR, NOR, OR, NAND, AND


Links

Happy TR-707 day

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This drum is digital.
Built by Roland around 1984/85.



The sounds are 12 bit but its a great sounding machine.
The TR-707 has 10 voices.
# Bass Drum, Snare Drum, Low Tom, Mid Tom, Hi Tom, Rimshot, Cowbell, Hand Clap, Tambourine, Hi-Hat (Closed or Open), Cymbal (Crash or Ride)
Used a lot in Acid House.

It's part of the venerable line of Drum machines bearing the TR (Transistor Rhythm) name.
These included the TR-808 from 1980 & the TR-909 from 1983.

It's a very underrated piece of kit,
Just 5 years ago you could pick these up on ebay for around the $600AUD price.
It's now about $1000AUD.
It has lots of the sounds of the 909. I love it's matrix display & it is a great way to connect midi & din gear. The Rimshot can also trigger hardware that accepts a voltage pulse

64 programmable patterns, which are editable via step-write or tap-write

The TR-505 contains a subset of samples selected from the Tr 707 and 727. 

The videos below are of a modified TR-727
... the latin version of the 707

and


View this post on Instagram

A post shared by jono (@dj_jondent) on
----------------


+ Roland Drum Machine Timeline
+ Programming a TR 707

Italy 1995 - journal - drawings etc

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These are some old journal drawings -- when i was younger and had more time to "smell the flowers"

Italy.
Florence.. etc






FISOLE






padova





St Marks Venice


tHE horses of St Marks

Synth panel designer

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This looks useful, and its free too.

Rolling your own synthesizer panels is getting easier.



Synthpanel designer (SPD)
https://synthpanels.design/

User manual
https://docs.google.com/document/d/1KR6M1_s8He04fjyAf2Q0zOZF6PMyT0YhIDNOI8MRJcQ/edit


You will need inkscape to run synthpanel designer

 SPD is an extension for the INKSCAPE 1.0 open source vector graphics software for MacOS, Linux and Windows.

Inkscape download
https://inkscape.org/release/inkscape-1.0/windows/64-bit/exe/dl/


Open Inkscape.
Put the following files here
Preferences > System: User extensions





. After a restart of Inkscape, the new extension will be available under the menu EXTENSIONS -> RENDER -> Synth Panels Designer.

Inkscape is a vector graphics program.
Looks very useful to learn this software.

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